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Abolish the Fund only for the show in favor of the market and federalism

Abolish the Fund only for the show in favor of the market and federalism

Andrea de Liberato
Posted December 4, 2009 by Libertiamo.It

- I confess my immediate "original sin": the beginning of my film career as an entrepreneur I have repeatedly drawn to the infamous Fus (the Fund for the Performing Arts, which funds the cinema, theater, dance, opera, music, circus), created with the help of capital public a dozen films. Only after I gave up a million euro funds for awareness - let us say - "ideological", but not before myself personally became aware of the flaws and distortions of this instrument, which expresses the worst dirigisme ours. That committee of experts mandated to assess the feasibility and artistic value, on paper, this or that project, it is statism of the worst kind: how can we ignore the prevailing logic of patronage (perpetuatesi even after the introduction of greater automation, provided the so-called "urban reform") and the lack of reference to this?

The FUS is a tool that makes the culture industry in a state of inferiority compared to other industries, because it diverts much of the funding to work more or less meritorious from an artistic point of view, ignoring almost completely the commercial value of such products and the financial sustainability of projects. ", There is an idea - Filippo Cavazzoni Istituto Bruno Leoni wrote some time ago - that culture is something separate from the enterprise and then the numbers do not account for the culture." Now is the time instead, to put it still Cavazzoni, "that culture has to do with good management, which refers to the principles of efficiency as it does in other areas of the Italian economy."

There is a very specific historical and cultural reasons underlying the approach that brought in the heavy-handed Eighties establishment of the Single Fund for the Performing Arts. The law of 1963 Corona bartered state aid, the precursors of FUS, prohibiting the creation of works in English, thereby establishing a regulatory barriers exportability of Italian production, until then the main competitor of the American film industry in world markets. Not surprisingly, the most successful in Italian cinema, Dino De Laurentiis, has repeatedly pointed out that this unfortunate measure determines its relocation in the United States and that would have been sufficient (and, from a certain point of view, it would be enough yet) l 'abolition of that system to boost the domestic industry. The Crown Law
is one of the most sad and sinister Italian subsidiary of bad policy: the Communist Party and a large part of the left willingly smuggled contributions to their proteges, writers and directors, with the end of the competition in the Italian film, which until then had straight up kind of solid products, in large part to global markets. How to overcome the current impasse, recognized as such even by the leaders of the cinema audience, as the managing director of Cinecittà Luciano Sovena?

gives us the answer, as often happens, the comparison with the United States of America. Louisiana, Puerto Rico, Arizona and some other states engaged in intelligent policy of tax exemption, which funds up to 40 percent of the budget for film projects, the so called "tax shelters" (ie, a method of reduction of the tax base that results in a reduction in payments to the institution collection) than in the past have paid off handsomely in Canada and Germany. To whom, inevitably, the observation that oppose this policy privileges only works most squalid business, you can remember that many of the early films of Rainer Werner Fassbinder or authors such as David Cronenberg were realized thanks to the use of these funds.
The answer lies, therefore, once again, in tax relief federalism and economic, because the management of funds should, in my view, be delegated to the Regions, the principle of subsidiarity and diversity of various Italian companies: the employment factor in the media is paramount in Lazio, for example , much less in Basilicata and Trentino. And the regions - as is the case in Sicily and the European funds for Baaria Tornatore or the works of many other authors, from Sicily to the German Wenders Pasquale Scimeca - have more projects. The same observation applies to the opera houses and theaters and orchestras, almost always an expression of a very circumscribed area. Something is already happening, in effect: together with the gradual but steady reduction of the state are emerging Fus Fus different regions (Lombardy, for example, has created the Furs, Regional Fund for the show only). Soon we will understand if this phenomenon "subsidiary" will also improve the logical distribution of funds or result in a replication on a regional scale inefficient state-run. Bondi

Minister is carrying out the reforms started by his predecessor Rutelli and has just started operating a first instrument, interesting, although not sufficient: the "tax credit", which is a tax credit given to the production companies of up to Twelve per cent of the costs incurred for the making of a film. There is, in truth, even the anticipation of a tax shelter, whose activation, however, is conditioned to the adoption of a regulation (with a good dose of bureaucratic perversion, it would have to draw their own dying Fus, increasingly meager). While operating from these thousand obstacles, Sandro Bondi is credited with having taken the responsibility of the cultural industry of the country in times of lean. He, however, can start from this initial state of weakness for policy action to revolutionize - in a liberal and market - the entire industry.

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copyrights, intellectual property and digital freedom: the politics of tomorrow

Copyright, intellectual property and digital freedom: the politics of tomorrow

Andrea de Liberato

Posted October 5, 2009 by Libertiamo.It


- Sometimes Europe is shaken by the wind of the news: unprecedented political issues are as dramatically urgent . In the eighties, there appeared the phenomenon of the Greens, which is still important, especially in Northern Europe and France, where, under the leadership of Daniel Cohn-Bendit, ecologists have recently won a resounding electoral success. That guide in Italy, without doubt, failure and the absence of which will, in a few days, the dissolution of the party.
After more than twenty years, we come again to put faced with a disruptive innovation: digital freedom. In past elections, the Piratpartiet Falkvinge of Sweden scored a flattering result, becoming the third political force in the country and electing a representative to Brussels. Were born in other countries similar formations, which have, at least for now, proved less successful: after all, could not benefit from the enormous media event for The Pirate Bay and the subsequent trial.

It seems to me no doubt, however, that we are facing a new generation of civil rights groups. This is a political fact of extreme importance, in contrast to the lukewarm interest shown so far by the forces of our politicians. In Italy computerization of the mass was only partly built and good to take to the poll commissioned a few months ago by Il Corriere della Sera, the vehicle telematics is still little influence on the decisions of the Italian electorate: During the recent election for renewal of the European Parliament, in fact, just over three per cent of Italian voters would be informed on the network and would have been somewhat influenced by it. The state of things is intended is likely to change and it is easy to foresee that, from a few years, the consumption of information on the network continue to grow and become more influential in the formation of political consciousness and electoral choices. If

digital rights, understood as the right to access to network technology, are more or less peacefully recognized at least the citizens of the West fed, it is still much debate your freedom to share material protected by intellectual property laws (music, film, literature, computer programs, etc.).. Using that millions of young men of the network will, inevitably, updating the concept of copyright and revisiting the principle of fair compensation.

E 'was recently approved in France the law Hadopi 2 (or, rather, the law establishing the Haute Autorité pour la diffusion des ouvres et la protection des droits sur l'Internet), after being rejected in his first presentation, by the Constitutional Council. The law, ordered by Sarkozy, expected after three offenses disconnect (for a period between two months and one year) user caught illegally downloading computer covered by copyright. If, in some ways, this is a freedom-law, on the other hand protect the property (intellectual, in this case) is one of the few tasks that even the most fervent anti-statism recognize the State. In addition, the Hadopi represent an institution will end up at least disturbing, if compared to the right to privacy, anonymity and confidentiality of correspondence, the principles that made their Piratpartiet immediately.
The French left has put forward a counterproposal, very little liberal (and God forbid) to introduce a tax on telecommunication companies to do (the so-called broadband tax). A measure which, predictably, would place the burden on the consumer's pockets. Not to mention the fact that, if applied in our country, such a mechanism might be one of the properties managed by parastatal booths, the SIAE (Italian Authors and Publishers).
Even Sarkozy's law has, in my view, a huge limit, which lies in its difficult application, wanting to forcibly normalize a mass phenomenon. Allow me a comparison: the prohibition on soft drugs has not prevented a very wide range of young people who use it. It is no coincidence that, already last year, the Norwegian police has refused to commit nell'accalappiare the occasional pirate.
It is, therefore, a very complex problem and difficult to resolve because, beyond the Far West today, so far there are no role models applied. With the increasing and uncontrollable expansion of the network and the growing number of its visitors, is a theme that appears to be poised to become central in the European political debate (In some countries it already) and, sooner or later, also Italian.

slowly, something begins to move us too. Dates back a few days ago, the presentation of a survey commissioned by the Permanent Nielsen on digital content, according to which about a quarter of Italians connected to the network would be willing to pay to enjoy movies on the Internet, as pointed out by Lamberto Mancini, Secretary General of 'Anica (the union of the audiovisual industries), a legal market and the costs are extremely competitive and attractive to consumers is undoubtedly one of the ways ahead.

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Yesterday, my September 8

Yesterday , my September 8

Andrea de Liberato

Posted September 9, 2009 by Radicalweb

Yesterday was the September 8 , given that many consider crucial and fateful in the history of our country. Honestly, I did not remember until late evening, when the applicant has been recalled by the brave Comrade Peter Bonano radical during the usual meeting on Tuesday.

It seemed only natural to ask why, despite of my hectic work day, I had not even paused in thought for a moment on that day, which surely marked the dramatic death throes of Fascism and the rebirth of democracy ' Italy.

I have concluded, perhaps a little 'apodictic and too personal, that the September 8 has not meant much for Italy. In our unfortunate country, in fact, are very much alive and present many of the structures, deposits and corrupt, fascist regime. And this, of course, not the advent of the Knight, but already in sensational form since the fifties that time, Pannunzio dixit, saw the advent of the "undivided republic of pears," or that regime Partitocratico (with birth, as recently wrote Pannella, many "small PNF) that grips our society, making a cast.

few years ago, Bersani tried ashamed of liberalization (not reaching even touch odious corporations such as insurance, banks, solicitors, reporters are limited to pharmacies, taxis and very little else) the results are almost equal to zero, largely due to the resistance, including political, those same corporations. For this reason, today Italy is a country increasingly dusty and still, with a Justice (administered by the corporation of judges and the bar) is now rotting, as demonstrated by recent investigations on the state of prisons radical and overt impossibility, for a judicial system in tatters, to manage the millions of jobs now pending.

Doctors, lawyers, notaries, pharmacists, architects, accountants, journalists, and their orders of fascist memory, the social security system and centralized bureaucratic state, clientelism, corruption and nepotism in politics, the social dominance of a State Ethics (after the law on medically assisted procreation, adoption is a disgraceful sham living will), crime and violence with the State political assassinations of Fascist , those of sixty years and the perpetual aggression of the citizen-subjects (think of those who died in prison where he was detained for autocltivazione marijuana or insulting a public official), action dirigiste economy are all beautifully perpetuatesi legacy of Fascism in sixty ' years of party politics.

a rotten regime must and will necessarily be subverted by a liberal revolution that now looks like a phoenix visible only to some mad visionary. But patience. They said the same, in the sixties, the birth of the LID, the Italian League of divorce, little more than a decade later, was the cornerstone of a resounding and deafening victory liberal and secular.

Finally, I want to thank my friend Caramel Impusino that, flying over my laziness and slowness in carrying out the common project of creating an association of Internet bloggers and liberal area of \u200b\u200bradical (and not speaking intentionally "galaxy" because we also turn to "non pannelliani") did something very radical: he's cheated, he rolled up his sleeves and created this space, making a wonderful surprise. I'm sure with Domenico Umberto Cosmo, Louis and all other radical friends of Politics on the Net we will make it something unique.

For my part, since I do not have a personal blog post here most of my young readers, hoping that they can provide some food for thought to all of you who are often much brighter than me.

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Radicals in PDL: ancient custom. The mystery is the distrust of the Democratic Party

Andrea de Liberato

Posted September 9, 2009 by Libertiamo.It

- Radicalism is today, to all intents and purposes, a member of the People of Freedom party calling a major, well expressed in the recent elections in which the PDL has proven the strength of a relative majority.
I am referring to the radicalism that has its roots in the party "historic" Cavallotti and which is "born again" in the mid-fifties with the group of The World. The first
liberal reformers and radicals are then Libertia full, just scroll down the curriculum policy of the founders, certainly expressing political views often differ, sometimes very distant from the rest of the PDL. Yet, as pointed out by the same Silvio Berlusconi, a few months ago, during the founding meeting of Liberty, the People of Freedom is very happy, fully expressing the fact his vocation majority to count inside the radical liberal of freedom. Moreover, the positions taken by the most "uncomfortable" by Benedetto Della Vedova (not least, the rather recent Eluana and living wills) were widely reported in the same PDL (come to think first and foremost with Gianfranco Fini) . Liberal ideas, liberal, libertarian are (and, I suspect, will remain) largely minority in Italy, as indeed have always been. In the seventies, in which the radicals got real triumph over divisive issues for the Italian company at the time such as divorce and abortion, the Radical Party barely exceeded one percent of the vote in parliamentary elections. This shows that radical liberalism can be, on some issues subtle problem, a real engine of progress and modernity, because of the strength of its innovative and revolutionary proposals, beyond the electoral success, the occupation of the chairs and put down roots territorial.
's why today that the PDL has damn need of freedom, which brings with it the highest and most noble of the modern right, that of Friedman, Hayek, von Mises, and expressed by Benedetto Della Vedova (Antonio Martino and) a very liberal parliamentary representation. The same electorate
radical, always positioned on a line between right and left, was much larger and nel'96 in '94 (when the radicals competed in elections as allies of the then House of Freedoms) coming to pass easily 3% while the rate increased in electoral terms was paid by the turn of the socialist Rosa nel Pugno (who picked up roughly, in percentage terms the same consents obtained from the recent European Bonino List). This
Berlusconi, Fini and the entire PDL know this very well and were able to profit from the reformist and liberal culture of that part of the world further away from the liberal-radical, liberal policy to the next, already fully embraced by the Radical Party in the nineties (when spoke of "turning liberal" radicals).
addition to the PDL in Italy there is another major party to call (in this case so-called) majority: the Democratic Party, but formal enormously radical.
This is a difficult relationship that is present at the birth of the PD, when Marco Pannella, to do honor to his story (he had hoped for years the birth in Italy of a Democratic Party on the U.S. model) consistently asked to run for office. Request that was promptly rejected by the ruling class piddina, like that of Antonio Di Pietro, and a few years later, Beppe Grillo.
remains a mystery to understand how a majority party that wants to be close the doors to all those who knock on his door, which seem to be guilty of one crime: they can not produce a past ex-communist or ex-Democrat.
Curiously, the original sin of liberalism is forgiven in the juvenile, with the nomination (although hindered, sweaty, contested and painful) of the radical Giulia Innocenzi, but back then it seems predominant over the last European elections, when the Democratic Party has chosen to pay an additional price in terms of declines in support, rather than to live up to promises of a year earlier (with Bettini, who spoke of a million preferences to confirm Pannella in Europe), reaching about "divorce by mutual consent" never happened. The project
Veltroni a large modern leftist party was not to be sneezed at, but, in my view, was not materialized because of the suspicious and biased to various anime closure of the left and in first place in the liberal radicals. A left that will be also fully liberal will be used to express his true vocation: to be a minority, unable to make their own instances, to remain in an Italian context, at least by Carlo Rosselli and Guido Calogero.

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New episodes with 3 groups truly original

Here I am after a trip to the birthplace of punk music and a few adventures to post the new episodes will propose two additional episodes of Music Notes with many guests, band 3: a person of the pschidelia made FAUVES , pure rock the origins of Julie's Haircut and energy to the women of SCARLET DIVA
here on 105.85 RADIO KAIROS present their respective new albums:
NALT2 Liquid modernity FAUVES where the original sounds are mix in Latin dance, tango and electronic
OUR SECRET CEREMONY of JULIE'S tell us where their secret rituals based rock and kate moss
And finally, no more silence of DIVA where memories, fears and emotions are eviscerated by the sound of the guitar and the determination of the female band.

If you are curious to learn more about the music and the beginnings of these three groups are so different and original, check out the link: http://kairosmusic.podomatic.com/

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THERION: CD / DVD 'The Miskolc Experience'


il 22 maggio uscirà "The Miskolc Experience", il nuovo CD/DVD degli svedesi THERION

TRACKLIST:
Part 1 - Classical Adventures: (44 min.)

01. Clavicula Nox
02. Dvorak: Excerpt from Symphony no. 9
03. Verdi: Vedi! le fosche notturne spotigle from Il Trovatore
04. Mozart: "Dies Irae" from Reqiuem
05. Saint-Saens: Excerpt from Symphony No. 3
06. Wagner: "Notung! Notung! Niedliches Schwert!" from The Ring
07. Wagner: Excerpt from the Overture from Rienzi
08. Wagner: Second part of "Der Tag ist da" from Rienzzi
09. Wagner: First part of "Herbei! Herbei!" from Rienzi

Part 2 - Therion Songs: (66 min.)

01. Blood Of Kingu
02. Sirius B
03. Lemuria
04. Eternal Return
05. Draconian Trilogy
06. Schwartsalbenheim
07. Via Nocturna
08. The Rise Of Sodom And Gomorrah
09. Grand Finale

Bonus Features (DVD only): *

Documentary (20 min.)
* Therion Goes Classic - Bucharest (16 min.)

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Lacuna Coil have entered into an agreement with Photobucket to host The official album of the group. The band members want to test the creativity of their fans, so you can unleash your creativity, starring in an artistic manner you prefer the latest CD of LACUNA COIL, "Shallow Life", with photos, music or whatever .

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SLIPKNOT: watch the video of ' Sulfur '

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MARILYN MANSON: cover and track listing of' The End Of Low '

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Pestilence: The video for "Devouring Frenzy"

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METALLICA: Video with Biff Byford of Saxon Motorcycle Man for

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SUFFOCATION: live video for "Thrones Of Blood"

at The Boardwalk in Orangevale, California, on 29 March.

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LACUNA COIL: Video of "Spellbound"

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Mercyful Fate: the re-recorded version of 'Evil'

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Time flies, and arrigosport past, adhering to the shop in Via Nino Bixio 10 N, will be leased to the comercial sig.SARKAR born Kishoregonj Jahangir (Bangladesh) and a foundry Supermarket (ORIENTAL SHOP) and invites you to kindly partecipre inauguration of grocery products including Eastern refreshments will be held on April 25 at 18.Noi do we do best wishes for a good job for him and his family a big hug from the world is ARRIGOSPORT forward and then SARK Jahangir.

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FCInternazionale MILANO SPA: FIELD GIOVANILLE.

Giorgio Valentino and Henry Calligaris along with 90 other Managers / Managers / Coaches of the Societa 'Affiliate Inter School Football, participated in the 9th edition of the European Conference FC REAL MADRID, Madrid-SPAIN-FIRST DAY AT THE CENTRE "Castillo" A REAL CITY 'SPORTS OF THE REAL MADRID WITH 10 FIELDS, where he trains ALL TEAMS FROM YOUTH TO THE FIRST REAL TRAINING. ACCOMPANIED BY THE HEAD OF YOUTH MR. RICCARDO GALEGGO (FORMERLY KNOWN AND NATIONAL PLAYER MADRID) We have seen the coaches of the various teams and visit their IMPRESSIVE CENTRE. At 17.00-Vision Training in categories A-juvenil (90) B-juvenil (91) C-juvenil (92) THE SECOND DAY DECATA VISIONNAIRE COMPETITION OFFICIAL YOUTH OF REAL MADRID. EVEN THE CHILDREN IN THE FIELD Dein CALCIATRORI AND KNOWN AS CHAMPIONS: Cannavaro is RONALDO. view home games of teams: 10.00 Infantil A (95) 11.15 am Cadete B (94) 12.00 am alevin B (98) at 13.00 transfer center in Madrid. Santiago Bernabeu stadium VISIT AND THE HISTORICAL MUSEUM. 16.00 pm trensfer by bus from Madrid to the City Sports Vision home games of teams: 17.00 juvenil A (90), at 19.oo juvenil B (91) THIRD DAY MEETING WITH ALL THE SCHOOLS WITH INTER FOOTBALL: THE OFFICE OF INTERNATIONAL HR MANAGER . SAMADEN ROBERTO, WITH THE RESPONSIBLE FIGC SIG.STWEFANO D'Ottavi and MR.RICCARDO RESPONSIBLE FOR REAL MADRID GALLEGO. GENERAL Discusión final conclusion. The AFFILIATED WITH THIS AC MONFALCONE SCHOOL FOOTBALL INTER WANT TO THANK THE INTERNATIONAL YOUTH FC, THE MANAGER AND ROBERTO SAMADEN SIG.RACAELE STUCCHI, for giving us the possibility 'PRESENCE AND METHODS OF STUDYING THE COMPANY' TO FIELD THE SPANISH RIOGUARDO YOUTH WITH the 9th edition of the European Forum held in Madrid.

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Eleventh episode, guest Beatrice Antolini

For unidicesima bet M usic Notes this week on Radio Frequency Kairos, an author and performer who began her journey into the world of music between songs, bands, classical studies, trials, the first band, improvised instruments and complicated techniques dubbing home.
An artist in the round: sounds from the age of three years, writes the lyrics and sings. Guest on 105.85 Beatrice Antolini The beginnings to her name with his band, consisting of Fantuz Federico (guitar, melodica), Francesco Candura (bass) and Enzo Cimino (drums), many concerts around Italy, singing with artists known as Baustelle and Bugo . with a way to play and sing very sophisticated and unusual Beatrice enchants our music scene A cocktail mixer of styles and influences that the different doses songwriter elegantly between the lines of his songs, which are present in his new album "A Two . Eleven tracks, accompanied by her visions and memories where the atmosphere is more mature and thoughtful, sometimes almost dark. " A Two" is studied in detail. Conceived more as a soundtrack of Vision, films, concrete. musically rich and complex, and brain but is certainly innovative and surprising. Beatrice wrote, performed and produced this valuable work, which followed at all stages, from concept to theatrical lightness that reflects the notes of a young Italian artist of great talent with a pop that smells and a melody of vintage psychedelia. In the episode can be heard in a surreal dimension that takes life where the imagination has no limits "Funky show" with a strong pace set forth in this final can-can, followed by hints of color and pop pschideliche " Venetian hautboy " song that can be found in the compilation " the country is real" of Afterhours, where she also contributed music. Finally, the episode ends on the song " Morbidalga " with a slow time, electric guitar arpeggios, all packed with his voice overdubbed on an organ. For those who had the opportunity to remind you that the April 18 will in concert at Teatro Consorzionale Budrio.

For those who want to know more on this eclectic and original artist can listen to the eleventh episode of Music Notes, where our Beatrice talks about and reveals its link to the unreal world

http://musicnotes.podomatic.com/

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Tenth episode, guest HER

For the tenth episode of Music Notes, an episode of the women, the host of 105.85 Radio Kairos, an artist with a capital: singing, acting, playing, composing soundtracks.
E 'a lover of art in all its forms, our guest this week is the violinist's nest Arac, Erma Castriota for us plays the role of HER
Sui 105.85 talks about and presented his first solo album.
After a rich career of collaborations, with her voice and the violin world records his milkshake " Magma."
An unusual album of avant-pop, and temptations where 4 gardeness famous cover intertwined with unusual electronic sounds and rock-enriched.
With a refined musical language and direct etnoworld not forget his origins, his first single "If I had you " marks his debut as a soloist, even if the back has a career full of collaborations with artists not just music.
fact, the great passion for theater and cinema, the door to approach these two worlds interprentando roles and healing music.
HER is an artist to three hundred and sixty degrees from vilionista a composer, a performer from an actress who the audience immediately appreciated his music with intelligent and sophisticated, where she undresses told through the voice, but especially the violin, humans and their world.
The interview focuses on the meaning of Magma and other small curiosities, all interspersed with some excerpts from her first job. The first is "Attempt Zen" which was inspired by a Buddhist principle that they can change things in a moment, finding the strength and courage posted. Below you can listen to the song "Before I say goodbye " where three languages seek the best way to say goodbye, a kind of exhortation and prayer in the world and its elements.
To end the episode the song to her name with Peppe Voltarelli in a "Great love."
But if you want to know more about the history and music of these fine fiddler and singer heard the tenth episode of Music Notes visit these links

http://musicnotes.podomatic.com/

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puntanta ninth, Roberto Angelini

For the ninth episode of Music Notes host of 105.85 on Radio Kairos a songwriter Read, an acoustic guitarist exquisitely refined a jazz musician, a record indipendentee a modeler of clay eclectic ...
This is perhaps even more Roberto Angelini that this week will tell Music Notes his music, his change from the smash " Gattomatto " to the great singer-songwriter who is becoming intimate and you can hear in his new album "given the view "
Angelini had important musical stimuli as a child: her stepfather is an excellent jazz guitarist and his house was frequented by artists such as Chet Baker. He grew up with a passion for jazz often engages in performance live in such sports skills refined swing, is an excellent pole
instrumentalist, he has explored horizons rock, jazz, blues and even heavy metal.
He honed his talent performing as a supporter of Jarabe De Palo, Elisa, Carmen Consoli, Max Gazzè. Already in 2001 with the debut album "Mr. Tomorrow" scored the first flattering recognition: he participated in the "new proposals" to Sanremo Festival and won the Critics' Award with the song "The Mr. Tomorrow. "
Roberto Angelini has pursued parallel projects in other well-established role as a musician and in the unpublished record. He founded the independent label Fiorirari , he plays with the Collective Angelo Mai and has made his first soundtrack for the movie "Sleepless " which includes his original instrumental compositions.
After the interlude of "Gattomatto" in 2003, Roberto has discovered that his vein and intimate songwriting of the early years, going back to soul music show.
All this we confess in the episode alternating three songs that are the essence of the CD's first single is " Volcano," a personal song, almost confidential where the protagonist is the appearance that deceives as always, followed by " D ECEMBER " a month that comes to life and to enter into a musical film, where a tango with a haunting words she takes her things and go se na, the last hope is that everywhere and with everyone happy" When the stars collapse "
If you're curious to learn more about the history of Roberto heard this ninth point to this link: http://musicnotes.podomatic.com/

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host eighth episode guest marta on tubes

for the eighth episode of Music Notes, 4 talk about music in Radio Kairos guests with a group that after Sicily and Bologna, for the past 5 years has landed in Milan. are known in the summer of 2002, exchanging demos of their projects sound like each other and decide to make music together and in a few months they put together a repertoire about thirty new songs and some covers, guests of this week Marta sui Tubi . to tell us their latest album " Sushi & Coca " and their reflection on the world of music and their style is the voice of the band, John Gulino . Always plucked acoustic guitars, caressed or beaten, always the voice clear and safe. The debut of this surreal and experimental band is made of hermetic poetry and melodies wrap and placed on sophisticated guitar licks and rhythms of jazz drums extraction. The irony of the texts is combined with the surreal, but also touching the heights of romance that never fails. A culmination of a dazzling debut in 2004, MEI Marta are awarded as Best Italian independent. With the criticism that welcomes with enthusiasm the disc and the public in exponential growth, lots of concerts, several sold-out and the certainty that Marta sui Tubi are one of the best live bands around. unforgettable performance below zero in the Val Senales in an igloo at 3200 meters playing instruments carved out of ice. In early 2008, Marta sui Tubi start their own label " used drums and in October they released their latest CD" Sushi & Coca "in which the use of headings, the texts now be directed and fierce, hours poetic and visionary and totally original way to use the acoustic guitar remains the trademark of Marta Sui Tubi, who are considered long been one of the most interesting art in Italy. There are feelings, situations and even sounds, in which to relax, unwind, their famous phrase ... I have no feelings, but feelings ... During the episode you can hear 3 tracks taken from the album, the first kinesthetic, which won the 2008 best video of the PVI, followed by Thoughts rattle , those wishes come true when you're sick and finally Wednesday, the song that speaks of concerts and travel can be found in the compilation of Afterhours "The country is real." If I have intrigued, if you like original music and surreal Marta the pipes or if you just want to know more check out this link to listen to the whole show http://musicnotes.podomatic.com/

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seventh episode, the guests Offlaga Disco Pax

For the seventh episode of Music Notes a group of Italian new wave scene, from Reggio Emilia, we define a "collective sentiments neosensibilista opposed to democracy", are two musicians and a lyricist. This week our Guests on Radio Kairos they are the Offlaga Disco Pax , winners of Rockcontest 2004, before the release of their first album had already made a reputation as "underground" through a series of performance in all ' Italy.
to tell us his impressions on the new album and upcoming projects of the group is the narrator and singer Max Collini .
The collective Offlaga Disco Pax, composed by Enrico Fontanelli, Daniele carts and Max Collini, debuted on the music industry three years ago with the award winning "Pocket Socialism" in which the lyrics are not sung, but recited, stories are interwoven with minimal or touch the issue of socialism in various facets: Emilia-seventies, the post-communist Prague, the story of the square of Lenin Cavriago.
Offlaga The Disco Pax describing a world that no longer exists, the dream of communism in the 70 and 80, in the middle of this past peeps, including squares ironic.
features that you may suffer for their second and last album " Bakelite " with sounds that combine analog electronics and low guitars, accompanied by texts in Italian declaimed instead of sung in a classical way. Narratives true or plausible the very best identity.
It is from this album are three extracts that can be heard during the broadcast: " Ventral ," the first single released to promote the album, a defense of Vladimir Yashchenko, who in 1978 had the record for high jump, another song that follows in the wheel is "Twenty minutes " where the music sets the atmosphere for words for a missing father and finally to close the episode "Sensitive " where instead are remembered crimes of the couple of blacks terrorists Mambro and Fioravanti.
Closes So the seventh episode of Music notes for this week pointing out that just started Offlaga The shift that sees them in Bologna at Locomotiv and then around Italy.
If you are curious to learn more about their history and their original music Ascoli the episode at this link http://musicnotes.podomatic.com/

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sixth episode, the guests Skiantos


For the sixth installment of Music Notes guests on Radio Frequency Kairos a group that invented the genre known as rock dementia, based on seemingly mundane and ironic lyrics which show often a clever satire, scathing, surreal. Our guests this week are the Skiantos we present their latest album, "God must explanations, to reveal some interesting facts of the new CD is the historic leader Freak Anthony .
I NCIDE their first cassette in 1977 as Harpo's Bazaar, entitled Inascoltable . Disco experimental inventing the music on the spot. texts absolutely nonsense, jargon-soaked youth, with a dash of punk, rock, 60-70 years, Italian songs and blues.
1979 is the year of the "Bologna Rock" The performance of the latter will go down in history, almost a performance theater of the absurd, do not eat on stage and sing. The protests of 6000 people will respond with the singer this is cutting edge! The non-concert becomes a legend.
The Skiantos have generated numerous crowds of followers, had much influence on future artists of the Bolognese.
After 5 years back with this new CD of unreleased full of existential questions and important issues such as racism, drugs, and the problem of the commodification of art work, clearly dealt with their ironic wit, and their trademark : rock crazy. During the episode
between an application and the other can be heard "Crazy head, portrait subjects improbable and utterly unreliable, followed by a hilarious hymn to the work seen as a step to avoid, but in such a world impossible to accept "A life spent in Skive bur . As the episode ends on the song "The racist in me," a song introspective but direct.
If you want to know more about their history and their music to listen to this sixth installment of Music Notes check out this link http://musicnotes.podomatic.com/

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fifth episode, the host portion of the cloud heavy


For the fifth bet Music Notes guests on Radio Frequency Kairos a group with a poetic name, and Bologna by the free interpretation, they are the heavy portion of the cloud.
Our host one of the singers of the group, Salvatore de Siena we will talk about their latest album "Slum " which is the column to Sonara their theatrical dall'ononimo name, directed and also starring Milva Marigliano . Starring
of seven albums, invasions film and theater pieces.
A band that stands out from its birth in the music scene for his style and his poetry, experimentation and tradition characterize their music, enriched by collaborations with renowned international guests and more.
Their first CD tarantella rhythm of punk and polka is " Alisifare " ( self 1994), dedicated to the themes of travel and emigration, representing a kind of artistic manifesto of the group.
Numerous albums ever with a markedly Mediterranean, where the ethnic music, rock and poetry blend.
are actors and performers of sound tracks, movies, music workshops, documentaries and concerts around the world telling their stories.
In 2007, returning for the second time on stage and play-actors become singers, telling with the help of Milva Marigliano, a journey back between the lands of Africa and Italy, an Africa that began long ago, we meet with our roots, insinuates itself into our pace and in our thoughts and gives us a glimpse, origins and common horizons.
The first song that I propose is a hymn to Africa, " jungiali " which means together, and a prayer that in not too distant future perhaps the world will be truly united. Following
" Diciamillu DUV 'is " says that with a cheerful sound actually sad story of something that is not there, that is not ... And finally
" Mirna ," one of the many characters that come alive in their show, that after the death of one of his children, can live as ...
If you are curious and want to know more about the history and spectacle of the heavy portion of the cloud, you can consulatare link http://musicnotes.podomatic.com

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fourth episode, host Vanessa Peters


For the fourth episode of Music Notes, a special guest recently participated in a lab at night Sottosuono Tpo of Bologna, has been voted among the best 10 entries of Texas compared to great songwriters American folk, she is Vanessa Peters .
frequencies of Radio Kairos presents his new album with Ice Cream On Mondays, his Italian group.
" keep your chin up Sweetheart" is an intense, sweet-toned album, which tells the life stories through with bitterness and hope, they sing the story of Ulysses, Icarus and many other characters that come alive in the words of his intimate folk.
His career started a little 'for the case in the summer the streets of Tuscany, where he joins her at the Italian American folk sound.
Her adventure turns into summer, so, in a collaboration that has lasted four years, their debut is marked by an EP, which sees the perfect interplay between lyrics and guitar, in which she becomes screenwriter and star of his songs.
to arrive in 2009 with this new CD where fairy tales, myths and stories are rewritten and re-lived in a modern way, giving voice to the many surreal characters, where joy and sorrow mix between reality and fantasy.
With his voice and his soul-rock country is enchanting audiences around the whole world, describing travels and misadventures of life ... through its melancholy notes.
During the episode you can hear some of the songs taken from "Sweetheart keep your chin up " as "The war," the first single, where Ulysses with a background violins explains his absence of years to his wife.
other track you can hear is what gives the title to the CD is "Keep your chin up ," where the wicked witches and the same Eva admit their faults with great tenderness.
To end the episode the song "Drowning in Amsterdam ," a funny piece where Vanessa always portrays the city in the rain and the risk of drowning.
I apologize for the audio is not great, but for those who want to listen to this fourth episode and learn more about this singer-songwriter indie rock, the link is http://musicnotes.podomatic.com/

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third episode, the guests Mojomatics


In the third episode of Music notes our microphones Radio Kairos a duo far from Venetian ... punk attitude, look 60 years, is the discovery of new rock ... They made the first exhibition abroad in Italy with a dash of garage-rock, Sixties pop, blues and country roots and a few hints of punk, that's how you give life to Mojomatics . to tell their story and their new album " Do not Pretend That You Know Me is David the drummer. After a tour that sees them take part in various festivals and opening for international artists, in 2005 released their debut album "A sweet mama gonna hoodoo me," garage-style blues, folk and rock with amazing notes 'n roll. During these three years changed several times label, but always generate good jobs with sounds taken from the blues, country-western, punk and pop style of the Beatles "Love Me Do." And in 2008 their last work "Do not Pretend That You Know Me", 12 pieces knit atmosphere folk, beat-punk, country, blues and rock'n'roll. There nothing to do but go wild to the rhythm of their dance of pure rock'n roll! The first song you hear is the lively and unrestrained " Wait a while, feeling it impossible not to get excited. Another track on the CD that you want to propose is " Askin For A Better Circumstance , approaching 60 years and beat the English blues and last but not least" Hole in my heart. "
To listen to this episode and learn more about this third group that seems more American than a true Venetian style rock 'n roll this is the link consulatare http://musicnotes.podomatic.com

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second episode, host of the three dead boys gay



For the second episode of Music Notes we had on our frequencies (105.85) of Radio kairos a group that has marked the history of the Italian punk rock, their most famous phrase is "Reservoirs and rock'n roll" A group who lives between the pages of their comic books and notes of their songs, they are the Dropkick Murphys , who take off their masks to their famous musical world and introduce their paper, through their CD Rare . Our guest bassist Enrico Molteni . Rarities is attached to the second volume of the comic strip "The five gay guys dead" designed by the singer and leader Davide Toffolo. This is the band that hides behind the features of a comic, compelling stories behind teenage zombie between images and sounds creates an unbreakable bond that becomes the soundtrack of the classic problems of every day, such as love and the ' friendship reinterpreted in horror. After the first works on cassette car products, they begin their career with "Little posting to live" in 1997, a live in warm tones. Begin to be well known, then create their own label Storm Records. A band in search of changes and pressures that during these years and after many drives collaboration and participation, recalling the so-called tribute to the diaphragm, in 2008 became part of the soundtrack of the film As God commands with un'onima song. This CD combines old rarities and unreleased works rearranged, it can be heard during the episode "The world's first ", containing the so-called 2007 "The Second Sexual Revolution", is one of the most beloved pieces by the trio, rearranged occasion of this CD Rarities. Inside is also "Frankly Mr. Shankly ," a cover of The Smiths, from their very popular group, with the help of Mike Kinsella. to finish the song them starring in a piece of film As God commands. To listen to the second episode and an interview with Henry Moltani, bassist for the Dropkick Murphys consulate link http://musicnotes.podomatic.com